TAKE BACK THE MUSEUM
Parsons School of Design
PGHT 5778
Spring 2025
4:00-5:50pm, Wednesday
Dr. Jonathan Michael Square (squaj264@newschool.edu)
Course Description
"Take Back the Museum" examines exhibitions that highlight the work of artists and designers who have been historically silenced or omitted from dominant narratives. The course will be structured around the analysis of examples of pioneering exhibitions mounted in the past decade or to be mounted in the near future. Case studies will include Anne Lowe: American Couturier, Willi Smith: Street Couture, Posing Modernity: The Black Model from Manet and Matisse to Today, Implicit Tensions: Mapplethorpe Now, among others. Through these case studies, the course will explore how these curatorial projects have countered institutional erasures. Geared towards students invested in the intersection of museum studies and curatorial justice, the course examines how exhibitions are critical to address issues of visibility and invisibility. The course will also directly engage with practitioners via guest speakers and virtual site visits throughout the semester.
Course Objectives/Learning Goals
By the successful completion of this course, students will be able to:
Students will learn about the radical potential of the field of curation to affect change.
This course has a heavy emphasis on praxis with students being asked to both engage with actual curators and virtual site visits.
Students will also be asked to mount their own virtual exhibitions inspired by the course topic or their own curatorial interests.
Assignments and Grading
Students will be asked to write a review my exhibition Revolisyon Toupatou. The course will also culminate in a proposed exhibition that will have both a written and oral component. Students will be required to curate an virtual exhibition that will include digital images, “wall text,” programming, and a long curatorial statement. They will also be asked to present this exhibition to the class on the last day of the course.
grade breakdown
Class presentation (on the last day of class) 20%
Attendance & participation 20%
Rendering Revolution review 20%
Exhibition proposal 40%
Course Schedule
Readings
January 22
Introductions
In-class object analyses
January 29
Mining the Museum
February 5
No class
February 12
rendering Revolution
February 19
Posing Modernity
Posing Modernity: The Black Model from Manet and Matisse to Today
Denise Murrell, “Prologue,” Posing Modernity (New Haven, Yale University Press, 2018) 2-4.
February 26
Black Fashion Exhibitions
march 5
(Re)dressing American Fashion
march 19
STATEN ISLAND MODE
march 19
The Costume Institute
Anne Anlin Cheng, “Blue Willow,” In Ornamentalism (Oxford: Oxford University Press, 2019), 86-106.
Chantal Fernandez, "The Met Gala's Costume Drama," The Cut, May 3, 2024.
march 26
SUPERFINE
APRIL 2
defacement: A case study in the politics of inclusion in museum spaces
Siddhartha Mitter, Behind Basquiat’s ‘Defacement’: Reframing a Tragedy
Erin White, Curator Says Museum's White Supremacy Silenced Her
Robin Pogrebin, “Guggenheim Hires First Full-Time Black Curator”
Robin Pogrebin, “Guggenheim Names First Black Deputy Director and Chief Curator”
April 9
fugitive Collections
April 16
Afric-American Picture gallery
APRIL 23
black masculinity
APRIL 30
how to curate trauma
Museum of Civilizations of Europe and the Mediterranean (MuCEM)
The National Memorial for Peace and Justice and the Legacy Museum
May 7
Presentations
In-class 10-minute presentations of the research for final papers
Exhibition proposal due at midnight